We who with songs beguile your pilgrimage / And swear that Beauty lives though lilies die, / We Poets of the proud old lineage / Who sing to find your hearts, we know not why ... (James Elroy Flecker)

25.11.19

The Calling



The Calling

The moon high in my window 
floated, gazing, all the long nights,
claiming me: whispering, singing –
beginning in my far childhood
and never ending, not yet.

I knew and did not resist.
‘You,’ I said in my silent thought,
‘are my lover, my mother,
my teacher, my secret God.’
I chose with my whole heart.

Was chosen and chose.
Was claimed and laid claim.
It was written; witnessed by stars
and by the dark space of night itself.
Written in blood, carved deep.

It was always written.
The rest I was free to invent.
Life, other loves, children,
even other work, other
delights of the soul.

But here in the deep night
which is home, 
only this truth remains,
all else extraneous 
as the moon and I commune.


Written for Thotpurge's Poetry Tuesday #3 – Borrowed, where we are invited to 'borrow some magic' from a poem that inspires us. I've always loved Dylan Thomas's 'In my craft or sullen art'.

Also linking to Poets United's Pantry of Poetry and Prose #8. I'll be travelling when the Pantry goes live, with limited internet access for a couple of days, so I may be a trifle tardy reading and commenting on other's writings. I'll catch up soon!

23.11.19

An old story ...

The United Nations General Assembly has designated November 25 as the International Day for the Elimination of Violence Against Women, saying, 'Sexual violence against women and girls is rooted in centuries of male domination. Let us not forget that the gender inequalities that fuel rape culture are essentially a question of power imbalances.' — UN Secretary-General António Guterres. See further details here: Facts everyone should know.

To this end, the monthly 'Poets Out Loud' spoken word event in my town, which happened this last Thursday, had the
theme 'Women's Voices'. We were asked to wear orange, the colour associated with this issue. Not having a lot of orange in my wardrobe, I went op-shopping (i.e. thrift shopping, for those of you more used to that term). The only orange item I could find was a big sun-hat. So I decided, 'Yeah, why not? Let's make a statement.' A poet friend took a snap – a fuzzy shot which no amount of editing will fix, but you get the idea.

I chose an old poem to share, written about a friend of mine who died after crashing her car in the early hours of a Sunday morning. This is the one with which I came second to young Jasmine Logan in the slam, as I mention at the end of my latest Wild Fridays post at Poets United. I wrote the first draft in 1979. How sad that it's still relevant.

I'd been worried that my fun outfit might signal the wrong mood, but at the first words the audience's faces became attentive and serious.

I'm sharing this poem now in Pantry of Poetry and Prose #5 at Poets United. 


FOR FRAN

1. Driving home from the massage parlour

drugged and down and speeding
all at once
with a head full of pain

driving
from all the other times and ways
that she’d been smashed

home
to the latest one she called love
who bashed her up and took her money

an old story

– how beautiful her body was
how early she learned
what beautiful bodies mean

her dad when she was 10

and said to all his friends
‘Come around, Fran’s home.’
They came.

Later her brothers.
Working the Cross by 14.

Same    old    story.

She married loneliness
a husband chasing cash
through too many country towns

but shocked
by her earnings

the home she bought
for permanence
he kept.

She saved his face in her wallet
always
played his songs

a whiskey-sucking purple satin
razzle-dazzle girl
clanking golden chains

loved poems
music
her children most of the time
(they were girls)
and tried to mother me

but
alky / drug-runner / jailbird / slut
got what was coming
… death that was coming

just the same old story
just another woman killed by men

only once
she put her foot down
hard enough
to make an end


From Universe Cat, Pariah Press (Melb.) 1985 
and Secret Leopard, Alyscamps (Paris) 2005.
First published Going Down Swinging (earlier version),
Also in The Great White Hunter Meets Darkest Africa 
and Walking the Dogs (Pariah Press anthology).


I had several tries at writing this. The first half-dozen or so consisted of incoherent screaming onto the page. In the end I took out all my emotion and pared it down to facts, and that worked. 

Part 2 of this sequence (in very different mood) is posted here.

13.11.19

The Possibilty of Peaceful Ageing


The Possibility of Peaceful Ageing
(on entering my ninth decade)

Now I am new, 
softly writing the winds of the past
into history
where they may blow unheard
taking away the rains and storms 
and even also
the fierce fires that sometimes
in towering beauty
flared and razed
leaving scorched ground, with ruins
to be repaired or be abandoned.

I turn and face forwards
into a calm and gentle sunlight
over fields and a river.
There are trees.
On one side is a three-humped
cloud-catching mountain.
From the other I smell hints,
tangy and fresh,
of the near ocean. 
A few white clouds
sweep the sky like angel wings.

‘Follow me!’ she cries,
that Goddess to whom
I have given my heart and allegiance,
and I step with assurance 
into the realms of light, 
calm and radiant.
‘Here is joy,’ she tells me,
‘embrace it. You’ve earned it.’
And I dare say I have. But I pause.
While strife remains 
I have a duty of healing.

Also, when I sit in my armchair 
a small black cat
climbs on to my lap –
dead Selene, who settles 
as she did when she was alive.
Or I find a letter 
from an old love, long gone,
and linger over it, failing to destroy.
‘Forgive me, Lady,’ I say. 
‘I am not yet ready
for blissful oblivion.’










Rare sample of Egyptian terra cotta sculpture, could be Isis mourning Osiris, (raising her right arm over her head, a typical mourning sign). (Public Domain)


Written for Thotpurge's Poetry Tuesday #2 – New

7.11.19

Authenticity


Authenticity

‘I hate you,’ she yelled 
at the drug dealer
standing in the doorway
of his other, legal business
in the main street of town.

‘You ruined our boys!’ –
the lads just out of school
he gave jobs to and then 
got addicted. ‘I hate you!’ 
She bellowed his name.

‘I hear you,’ he said sourly,
eventually. But it wasn’t him
she was really telling,
it was the town. Some
muttered. Others clapped.

Maybe they knew
she took those boys in, 
fed them from her own pocket, 
helped them set up a band….
One by one they got away.

She invited the whole town
to her birthday party this year.
‘Just turn up,’ she said. Privately
told me how honoured she felt
as community elders turned up.

She never told me a lie,
even when I didn’t like the truth.
And she never told me a truth
that wasn’t said in love,
nor one that didn’t help.

At her memorial service, 
many wept. I made a speech 
and told the truth. The truth was, 
she was Love. (‘Hatred isn't wrong,’
she once said. ‘It springs from love.’

I didn’t understand at the time.
Thinking back, I do now.) 
We told stories of what she gave us
and how uncompromising she was. 
And played her song: ‘I did it my way.’


Written for Midweek Motif ~ Authenticity at Poets United

5.11.19

Turning 80


Turning 80

For Karin

In a week it will be my birthday.
People already tell me: ‘looking good’ 
– for my age. I’ll be turning 80.

I don’t wish to be younger. I want 
to be 'young on the inside', as my friend 
who reached 80 a week ago says.

She is vibrant. Who sees wrinkles
behind her laughter, or weight of years
in her quick, jaunty steps and gestures?

I want to stay ever new, all 
my experiences kept, freshly alive.
I tell her, ’We are becoming ageless.’

Karin on her 80th:












Linked to Poetry Tuesday at THOTPURGE, 
where the word for Nov 5th is Old.

1.11.19

Her Teddy


Her Teddy

She kept her teddy close, I saw,
in that last seven years of illness,
and obviously for much longer:
the same one she’d had as a child.

He was by her big recliner chair
every day, and next to her in bed.
‘When they’re loved,’ she told me, 
‘Teddy Bears come to life.’

So I was horrified when her brother
said they cremated him with her.
Then I remembered. She had explained
that between times they go dormant.

And anyway, I rationalised, 
it’s not the same kind of being alive
as us – not with a functioning body.
The burning wouldn’t, couldn’t have hurt.

Today I just had to go into Vinnie’s op-shop.
I walked past, but I was drawn back.
And I found him: a teddy, smaller than hers
but otherwise matching, even the clothes.

(Did her dear ghost orchestrate this?)
Of course I brought him home!
I placed him with other mementos of her.
But first I gave him a very long hug.



















Sharing at Poets United's Midweek Motif: A MillionYears Howl....