As I move nearer to death, memory gathers the scraps of my life.
A monostitch (one-line) poem for NaPoWriMo; a memory poem for Poetic Asides 'Poem A Day.' I made my one-liner an American Sentence.
As I move nearer to death, memory gathers the scraps of my life.
A monostitch (one-line) poem for NaPoWriMo; a memory poem for Poetic Asides 'Poem A Day.' I made my one-liner an American Sentence.
‘A glimmer is the exact opposite of a trigger–it is some kind of cue, either internal or external, that brings one back to a sense of joy or safety.’
Gold light radiating from that orb in the sky just before sunset.
Looking into the face of a beloved friend – here now, or pictured.
Immense trees filling the sky; or really, any trees. Truly, all trees.
My best-loved books: just a glimpse of one's cover and I want to hug it.
Memories, of large and little joyous moments, filling my long life.
Everyone I ever loved / all those who loved me (cats and dogs too).
Reconnecting often with poetry, flowing into or from me.
Sunshine; sparkling silver rivers; soaring mountains; sweetness in the mouth;
sudden storms with swift, searing lightning; stillness; the suchness of the this.
Inspired by Rommy’s prompt for Friday Writings #86 at Poets and Storytellers United. I decided to do this as an acrostic. Then I decided to make each line an American Sentence (17 syllables). Then I realised the letter S needed two lines. Note: They wouldn't work as stand-alone American Sentences, however, as each line depends on the mental inclusion of the word 'Glimmers' which it is defining. I'd need to rewrite them. I'm happy to leave them as they are, to make one whole poem together.
It’s all cloudy skies here,
dreary Sundays dragging on,
now that he’s gone.
I’ve been a happy Hermit,
my fine solitude
eased mostly by cats.
But after some days
communing with my son, again
finding how we match –
the pleasure of it ...
now I'm feeling myself
unsettled, discomposed –
shrugging back inside
that cloak of self-sufficience
I thought was my skin.
Below: my son and me out to lunch during his visit.
Written for my own prompt, 'The Visitor' for Friday Writings #60 at Poets and Storytellers United.
(Each verse is an American sentence – just because I often like to give myself formal games to play, too.)
The light in your greeny-blue eyes, reminder of a summer ocean.
The way one lock of your hair always used to stick up, rebellious.
Your freckles, your flushed cheeks, your whole face lighting up with sudden laughter.
How fervently you would debate a point to understand it better.
Your hands moving swiftly through books and papers, or stilled and warm in mine.
The time I leaned back against your chest, your cradling arms around my waist.
All the lines that you wrote me: letters, poems, and that book inscription.
The path we walked our last day together, sunlight warm on our faces.
Written in response to Magaly's request for a list poem, in Friday Writings #40 at Poets and Storytellers United. Each item in my list is an American Sentence, the form created by Allen Ginsberg.
my ocean
the great blue Pacific
is also a path
#haiku
12/2/21
piercing –
that moment of pain
for dead loves
this Valentine’s Day
then I recall the joy
#tanka
14/2/21
during COVID
Moon Calendar quietly
gets two years old
#senryu
16/2/21
sneezing
I get out the bedsox —
high summer!
#senryu
17/2/21
You may live to 200
while appearing 30,
said the angel.
But I thought I’d become
more and more lonely
for old friends; I declined.
#American sentences x2 arranged as verse.
21/2/21
When the kids
were swift and mischievous
I Dalek-spoke
‘Exterminate! Exterminate!’
They merely rolled their eyes.
#kyoka
21/2/21
Walking Away from 2020
Can we walk away
from this apocalypse?
And if we might,
where to?
In the time of COVID,
walking away
consists of
staying at home.
Our poor minds
in our lonely heads
now walk away
into strange places.
We are walking away
from the selves
we used to be —
collectively.
We do not know
our destination:
the road, or all roads,
uncharted.
In the great cities
streets are empty
without movement
as if useless.
Although this was written to my own prompt for Weekly Scribblings #40 at Poets and Storytellers United, I had trouble getting into it until I gave myself a structure. When the first couple of verses were all I had, it was fairly easy to turn them into 17-syllable American sentences, but arranged in four lines each, and keep that form for the rest of the poem. (Yes I know the first verse is technically two sentences. Hey, even Allen Ginsberg, who invented the American Sentence, did that occasionally.)