We who with songs beguile your pilgrimage / And swear that Beauty lives though lilies die, / We Poets of the proud old lineage / Who sing to find your hearts, we know not why ... (James Elroy Flecker)
Showing posts with label Writers' Pantry. Show all posts
Showing posts with label Writers' Pantry. Show all posts

6.10.21

Responses

Responses 


In the final lesson (lesson 6) of Write Like Issa, David Lanoue invites us to respond 'in kind' to specific haiku by Issa – answering them with our own, either in imitation or contrast. This is an honourable haiku tradition; Issa himself responded so to some of Basho's haiku. Below, Issa's originals are in italics. My responses are drawn also from my own lived experience.



the child hugs 

her cloth monkey . . . 

hailstorm


summer storm –

crouching

with my cat


*********


without you— 

this grove 

is just a grove


(1)

noisy bats gone –

the grove is again 

peaceful


(2)

meditation complete –

sudden kookaburras

laugh in the grove


*********


spring rain— 

in my lover’s sleeve 

coins jingle


spring rain –

my wallet

empty


*********


into morning glories

with one shoulder bare….

holy man


walked past unseeing 

weeds by the road –

morning glories

















Sharing with Writers' Pantry #91 at Poets and Storytellers United.


5.9.21

Father’s Day Recollections

 Father’s Day Recollections


My father comes back to me now

in his prime, not as the old man

frail and forgetful – though even then

he found ways to be cheerful. No,

I see him as the wise counsellor

and personal friend; before

the flaws became visible

and filled my gaze … ah well, 

it was a brief time. But good.


I could go further back

to the fun young Dad, 

the one who rolled on the floor

as we tickled him, the one 

who hugged us, laughed, taught us 

our letters on alphabet blocks,

made us toy bows and arrows 

from his own home-grown bamboo.

(All his life, he loved to garden.)


Or I could focus on 

his walking-stick, his limp,

the suppressed winces of pain.

There were bad days and good.

I never asked what made

the difference. (Was it 

the weather?) All that 

was just part of the background 

of life, of what made him him.


I try not to think (but I must)

of the weakness, the betrayal.

I call it out now:

self-indulgence, cowardice.

The serial infidelities that at last 

lost him my mother’s love; the failure 

to guard his children from the cruel 

mad stepmother he gave us

in a face-saving, hasty remarriage.


Poor Dad! But was he? After 

she mentally castrated him (ironic 

fate) he taught himself to paint 

landscapes in oils, and sold them. 

(Some he gave away to my brother and me, 

after we were grown, living our own lives.)

And he wandered the Mallee, finding thick, 

knobbed, curling sticks which he sanded 

and polished as walking-sticks. Sold them too.


All this, and more, made up the man.

There was also the boy I heard about

from his sister my aunt, and my grandma

his mother. Crippled young by an accident, 

but cheerful, making the best. A dreamer, 

a reader. A lover of poetry, who wrote it too.

The man recited poems (other people’s)

at parties, where the leg didn’t stop him

being a smooth ballroom dancer….


But he comes back first

in his prime; the one I could talk to,

the kindred spirit, the companion

sharing favourite books, the knowing advisor

enlightening his teenage daughter

on the male point of view, the grown-up

expanding my understanding

of history, sociology, psychology,

nature. And of course literature.


He was in his way, I suppose,

a good-looking man – open countenance,

fair skin; pleasant, even features 

(apart from the family nose with its bump)

and well set-up, as they used to say.

What he couldn’t get from sport (because 

of the leg) he could from gardening. 

So he never got fat. Just squarer.

His usual expression was kindly.


He gave me my own poetry,

reading and writing. He gave me

my politics, and my belief

that intolerance is the thing

I should most be intolerant of.

(Perhaps he also gave me

a liking for liquor, and a sad lack

of Puritan morals!) I loved him again

and he knew it, shortly before he died.






























I don't have any photos of him at the time I most like to recall, so instead I show him as a young man in father role, and as the elderly artist (resting his hand on one of the wooden walking-sticks he crafted).


And yes,  today is Father's Day in Australia.


I'm sharing this post in Writers' Pantry #86 at Poets and Storytellers United.


Insights

 

Insights




cold days

we sleep long —

old cat and me


*********


pet cat waits

in a patch of sun, trusting

breakfast will happen

 














 

 


*********


I remember

my nasty stepmother —

dead 23 years


*********


lentil soup —

memories

of childhood

 














 

 

 

*********


strange Christian men

(avowedly)

stalk my facebook smile




Once more, apologies if you've seen these already on social media. This time you get context as well, with a clue as to what I thought I was doing (grin).


In Write Like Issa, Lesson 4, 'Bold Subjectivity', David Lanoue reminds us: 'The private, in art, becomes public. Dare to write highly personal poetry of which some readers will say, with gratitude in their hearts for seeing it on the page with stark clarity, "Hey, that's my story!" '  (Whether I have succeeded in that is up to my readers!)


Sharing via Writers' Pantry #88 at Poets and Storytellers United.


27.8.21

Moments

 Moments

(Micropoems)


earrings and lipstick

in solitary lockdown –

for my own delight


*********


rushing wind 

blows harder – relieving

the days’ sameness


*********


after poohing

little cat runs up and down 

celebrating


*********


no, yowling kitty,

I can’t stop your tummy-ache —

pooh for yourself


*********


she leaps lightly

to the highest shelf —

guardian cat



















Apologies if you've already seen these individually on Instagram and/or facebook. Here is their context:


Lesson 3 in Write Like Issa by David Lanoue is about comic haiku, the humour residing in down-to-earth images which might not usually be considered fit subjects for poetry, such as bodily functions.  He says , 'A successful comic haiku in the style of Issa should provoke, in a breath, both laughter and thought.' 


The above, written while I was reading this chapter, were responses to whatever was happening in the moment. Though hopefully earthy and unpretentious, they aren't particularly funny – some not at all. However, the examples Lanoue cites are of gentle humour rather than side-splitting. He further says that such haiku reveal 'ironies and absurdities in ordinary life', so perhaps in that way I come close.


Sharing with Poets and Storytellers United at Writers' Pantry #87.



24.8.21

Glimpses

Glimpses 


(Micropoems)



where did she go?

oh – a cat-shaped lump

under the rug 
















 


*********

   

you look pretty

she says, to the half-face

above my mask 


*********


in the story

her husband dies —

I cry and cry


*********


close confidante once

she fobs me off for years –

at last I unfriend


*********


rainy day –

no butterflies, did they

stay in bed?




The second lesson from David Lanoue's book, Write Like Issa, is about viewing the world in a direct, child-like way: 'Reflect on a past or present experience without your adult blinders.... Don't be afraid if your haiku doesn't sound fancy or important—for this is actually a good thing.' For the record, I don't think I succeeded very well in recapturing a child's view, but the attempt produced better results overall than if I hadn't made it.


Sharing with Writers' Pantry #85 at Poets and Storytellers United. (Apologies to those who have seen these already on Instagram or facebook.)


20.8.21

Snippets

Snippets




cold night –

even for the cat

more blankets


*********


drowsing

over my laptop –

warm day


*********



Night Terrors


(1)


high shelf –

cat hesitates 

to jump down


















(2)


ibis feet

banging on my roof

4am


*********


loud thump

prowling cat

lands hard


*********


from next door

a high note —

child’s play


*********


Spring music –

the magpie also

craves company


*********


scrambling the wall

tiny spider sees me

as danger



















I'm giving myself a little course from David Lanoue's book, Write Like Issa. The first lesson details Issa's empathy with other living things. Summing up, Lanoue says: 'Write like Issa. Write with compassion yet understatement. Leave space for your readers' minds to wander and wonder.'

Sharing with Writers' Pantry #84 at Poets and Storytellers United. (Apologies to those who have seen these already on Instagram or facebook.)