We who with songs beguile your pilgrimage / And swear that Beauty lives though lilies die, / We Poets of the proud old lineage / Who sing to find your hearts, we know not why ... (James Elroy Flecker)
Showing posts with label enso. Show all posts
Showing posts with label enso. Show all posts

3.3.21

The Mind At Play

The Mind At Play




On a haiku site I discover enso. One poet uses them alongside her verses. Intrigued, I google.


I come away with the idea that an enso is both a figure in Japanese calligraphy and a way of Zen meditation.

One draws a circle freehand, open or closed, a continuous line (sometimes two). I understand it encompasses everything. Also it's the void.


This practice is not a striving for the perfect circle. (Nor is it done thoughtlessly.) Each is valid in itself. It’s an exploration of inner space.


Excited – all Western impatience, no in-depth research – I dive right in, thrilled with the idea of meditation by doing. 


Though I don’t dare think I’m an artist, I sometimes draw, just for me.


I grab sketch-book, brushes, water-colours (not ink) and draw an enso a day: each one a different colour. After I’ve been through all colours, I resolve, I’ll repeat in different media. 


Poet Lawrence Ferlinghetti, founder of City Lights bookshop – hugely important in the history of literature – dies aged 101. I write a three-line tribute.


I want to post this on Instagram. Instagram is a visual medium. I try to make micropoems I post there look as good as I can, but this time I take things further. I print the text, cut it out, and paste it in the centre of my latest enso. 


I photograph the result, run the photo through filters on my iPhone, then edit it for vibrance, clarity, saturation…. 





‘Beautiful tribute,’ someone comments, ‘– art and words.’


My friend – a real, marvellous artist – has a birthday. A mystical four-line poem comes to me. I realise it’s a portrait of her. I put that inside an enso too. (I try handwriting this one at first, but my writing doesn’t please my eye.)


I take a photo, manipulate it as before, print it, label it a portrait of her, and laminate it.





When I give it to her, her eyes widen, she gasps and holds it to her heart a moment.


I toy with the idea of a different shape that I might use around a poem. I think I will, perhaps very soon. Also, I won’t stop drawing my meditative daily enso. 




369 words written in response to Weekly Scribblings #59 at Poets and Storytellers United, and specifically inspired by a line from the musical Hamilton: 'I'm looking for a mind at work'. I don't know much about that musical, but my mind has been working on something new lately, as described above. Then I recollected that art is not work but play. 

Note:
My artist friend is also an amazing gardener.


Images: 
1. 
Ensō (c. 2000) by Kanjuro Shibata XX. Available for use via Creative Commons CC BY-SA 3.0

2 and 3 © Rosemary Nissen-Wade 2021.