We who with songs beguile your pilgrimage / And swear that Beauty lives though lilies die, / We Poets of the proud old lineage / Who sing to find your hearts, we know not why ... (James Elroy Flecker)

17.12.25

Light Dims on Bondi Beach

 

Rifle shots darken 

day, mood, life force.


Killing Jews in Australia

doesn’t save Palestinians 

suffering in Gaza. Just as

slaughtering people in Gaza

has not stopped terrorists.


What, then? Hibernate? Enter 

the darkness? Escape 

under that blanket, despair?


Or light our candles

for all?



Written for Quadrille #238 at dVerse: 44 words including ‘hibernate’.


People have been lighting candles for those  killed in the recent Bondi Beach attack on civilians celebrating Hanukkah. Others are asking why we don't do that for the victims of the genocide in Gaza.



12.12.25

Between


In this liminal space we call old age, simultaneously becoming and un-becoming, growing more and more into my self and out of my life, I go over and over the joys and sorrows that add up to this fine experience of living: at once uniquely personal and utterly universal.


In this limited space where I live and die at once – reminding myself we are all doing that, every moment since our birth, though we only become aware of it later (if we do become aware) – between these parentheses, I begin to awaken. Even as the ‘long sleep’ looms.


Who is the weaver? On whose loom stretches my life? 


Someone in a Netflix movie sings, chirpily, ‘What a difference a day makes…’ and I am taken right back to being seventeen, slow dancing with the lights turned low, among other couples at the end of a student party, while on the record player some singer with a sleepy voice, some singer who sounded like Nat King Cole, crooned the words, the soft, electrifying words, as we stood and swayed on the spot together in the crowded room, each entwined pair alone in a circle of two. 


A small, inconsequential memory. Nothing of any great importance in my life happened to me that evening. No coupling up with any of the dancing strangers. It was just a place and time where I happened to be, briefly. Not my scene. Yet a flash of music, so momentary, so differently sung, revives it from some old corner of memory, with all the sexual longing which the room was full of that night as the other young bodies around me danced slower and slower, closer and closer, into full embrace, and the music sighed and stopped.


The many tiny moments of my life return to me so, at random, in between the goings-about of my here-and-now. Even the most insignificant now feel precious. This is a thing that happened. This is a thing I witnessed. This is a thing I did. They matter to me, my small and personal days, my unimportant nights. I lived them. They happened to me, each one unique, and will not happen again. 


Always / never … now / never again.



Note:  After Google insists Nat King Cole never sang it, and I hunt through YouTube for all the male singers who did, it has to have been Frank Sinatra – that exact inflection and tempo – though I  remember it as being sung much softer. Perhaps the record player too was turned down low.


Written for Poets and Storytellers United's Friday Writings #207: In Between.



5.12.25

Everybody Scream!


One of the greats 

is the witch dance – 

a form of sympathy magic

blending perfume and milk

in strange combinations.


We buckle the kraken

according to the old religion,

and later drink deep

as music by men 

gets louder and louder.


‘You can have it all!’

they shout in chorus.

I almost believe them.

For one night of wild magic,

could I have it all ... and love?













I'm sharing this (sort of) found poem with Poets and Storytellers United, for FridayWritings #206, where we are invited to find inspiration in the titles of Florence + The Machine’s latest album, Everybody Scream: 

1. “Everybody Scream”
2. “One of the Greats”
3. “Witch Dance”
4. “Sympathy Magic”
5. “Perfume and Milk”
6. “Buckle”
7. “Kraken”
8. “The Old Religion”
9. “Drink Deep”
10. “Music by Men”
11. “You Can Have It All”
12. “And Love”

Nobody said it had to make sense! (But I hope I've made it seem to.)


2.12.25

Everything / Nothing


‘Write your happiest moment,’ 

the teacher instructs. I fly – 

not to the birth of either child, nor

wedding their father, not graduation,

not even breathing freedom 

after two huge years 

of Wicked Stepmother – 

but standing in your arms

briefly … everything 

winding down to zero.



Written in response to Quadrille  #237: Zero at dVerse.

(A poem of exactly 44 words, including the word zero.)

And also in response to an exercise in writing teacher Natalie Goldberg's book for memoir writers: Old Friend from Far Away.