Reminiscing
For Chris Mansell
For Chris Mansell
I listen to my old friend,
whose book launch was cancelled
because of The Virus,
reading her poetry online.
Her voice sounds so young,
I think, and remember
the many times in the past
when I heard that young voice
reading from stages –
and sessions sitting around
on living room floors, six of us,
in Melbourne or Sydney, or
Adelaide at the Festival once,
when that was the only Festival.
All those couples broken up later,
two husbands now dead, and
the third woman disappeared
somewhere in Canberra
into a life more private ...
and still we are making poems
and putting them in books,
and reading them aloud, just as if
a poet really was a thing to be …
along our long lifetimes.
For the reading referred to, see (and listen) here.
This is truth rather than fact – though there's a lot of fact too. There are minor inaccuracies, in that I've collapsed some details together in poetic licence.
For the record (if any historians are interested, lol):
Chris and I were never actually at the same Adelaide Festival, but others of that group of friends were there together.
The original three couples were Rosemary and Bill Nissen of Melbourne, Susan Hampton and Andrew McDonald, Chris Mansell and Dane Thwaites, all living in Sydney then – five poets, and a supporter (Bill) so committed that he later served a year as National Secretary of the Poets Union of Australia. I never actually met Dane in person (due to his work schedule if I remember rightly) though he was included, albeit at one remove, in our discussions about poetry, publishing, and Union business.
I also never met Chris's late husband, though heard a lot about him from the time their relationship began. She points out that she and I actually have three dead husbands between us; but my last husband, Andrew Wade, came into my life a very long time after these events, so didn't seem to belong in this poem.
By 'a life more private' I don't mean to suggest that Susan is not still creating and publishing poetry too. The closest friendships in that early period were between we three women (and Bill, to whom I was then pretty much joined at the hip) and the final lines of the poem can be taken to include her.
For the reading referred to, see (and listen) here.
This is truth rather than fact – though there's a lot of fact too. There are minor inaccuracies, in that I've collapsed some details together in poetic licence.
For the record (if any historians are interested, lol):
Chris and I were never actually at the same Adelaide Festival, but others of that group of friends were there together.
The original three couples were Rosemary and Bill Nissen of Melbourne, Susan Hampton and Andrew McDonald, Chris Mansell and Dane Thwaites, all living in Sydney then – five poets, and a supporter (Bill) so committed that he later served a year as National Secretary of the Poets Union of Australia. I never actually met Dane in person (due to his work schedule if I remember rightly) though he was included, albeit at one remove, in our discussions about poetry, publishing, and Union business.
I also never met Chris's late husband, though heard a lot about him from the time their relationship began. She points out that she and I actually have three dead husbands between us; but my last husband, Andrew Wade, came into my life a very long time after these events, so didn't seem to belong in this poem.
By 'a life more private' I don't mean to suggest that Susan is not still creating and publishing poetry too. The closest friendships in that early period were between we three women (and Bill, to whom I was then pretty much joined at the hip) and the final lines of the poem can be taken to include her.
Love those last few lines.. just perfect... and still relevant... something I wonder quite often... especially at a time when so few actually read poetry. A great poem, Rosemary.
ReplyDeleteThank you!
DeleteI think perhaps all poets wonder about this at times. In those days (late seventies, early eighties) when we were just beginning to try and 'take poetry off the page', it was a huge question.
Needless to say I really loved this having been a constant attendee with my wife to the Adelaide festival right from the beginning. A year or so after she died I tried again but it was not the same. One of the biggest laughs was when we went to a performance unprepared for an all nude play. Then at the interval met my boss from work who raised his eyebrows and grinned when we saw each other!
ReplyDeleteI only managed to get there twice, but was so heavily involved in Writers' Week each time that I experienced little of the rest of it.
DeleteI enjoyed the back story as much as the poem, Rosemary. I like finding out about fellow poets, and you’ve become more than a name and a familiar face. I love the way your poem starts by focusing on the voice of old friend and poet, and then shifts to the past and back again. A poet is still a thing to be!
ReplyDeleteI'm very glad you said that about the back story, Kim. I was afraid it might have seemed boring, or detracted from the poem itself. But I did send Chris the link to this post, she thanked me for my 'lovely and elegant poem', which description thrilled me (she is a brilliant and innovative poet herself) and then I asked if she'd like a dedication ... and when she said she would, I thought I'd better clarify a few background details.
DeletePoets remain the soul of society, even when not popularly read. It feeds downwards. Enjoyed this.
ReplyDeleteThat's an excellent thought, Anthony!
DeleteI rather like the thought of growing up to be an old poet, and reminiscing with fellow old poets about the internal music that flowed throughout our lives. I feel oddly hopeful in some ways thinking of poetry as a constant companion, despite whatever else changes.
ReplyDeleteOh, it's that all right!
Delete"and still we are making poems"
ReplyDeleteThere is a special sort of magic in those words. They sing right into my heart and feed the muse. Yesterday, a friend and I were discussing book tours that are being delayed or cancelled because of the pandemic. She was heartbroken--and I can't say that I don't understand the feeling (for I, too, have been there). This virus (and other maladies, in the case of some of us) changed so many things, but "still we are making poems" and telling tales. And that matters so much.
For me it is particularly affirming to pause, look around, and realise that yes, all we erstwhile Young Turks, to whom a lot of life has happened, continue to serve the Muse. Yes, it does matter. As another poet friend once opined, even if our words don't last forever, each one adds to the sum of poetry in the world, and that's vital. And yes, too, to the telling of tales.
DeleteI enjoyed the poem and the commentary as well, the sense of time braiding rather separating.
ReplyDeleteIn actual fact it was probably I who 'disappeared', leaving the city 25+ years ago and swapping performance for the online poetry world. I connected with the international poetic community via MySpace; then facebook eventually reconnected me with my old Aussie poet cronies, including Chris.
Deletei rather envy the poetry scene you were having at that time. it seems lively. there was not much happening over here, though there were some very good local poets. maybe i didn't go out to look and my interests were tuned elsewhere.
ReplyDeleteenjoyed the poem, and the back story. :)
It was very lively! I was so lucky that when I finally decided to be more public with my poetry, that whole scene began almost immediately and swept me up.
DeleteWe had some awareness of Indonesian poets at the time (mainly W S Rendra) but not of Singaporean.
The friendships you describe seems like a wonderful time in your life. This hit close to me: "just as if a poet really was a thing to be …" The writing part of your life has been built over many years and reinforced with relationships such as these. Thank you for sharing a glimpse
ReplyDeleteIt was a very exciting time to be a poet in Australia. We of that generation of poets are all getting rather old now, and some are no longer with us, but the connections made have been lasting.
DeleteWithout poets, our world would be a drab place indeed. Even death cannot still their voices.
ReplyDeleteThat's a comforting thought.
DeleteThank you, Rosemary, for sharing. It is one to cause the reader to compare with. I believe most of us could fit ourselves into several of your activities. I smiled about sitting around on the living room floors. I did that once while visiting an older friend in Alabama. His son invited me to a coffee house, the floor was full at the walls, people sitting there and leaning on them.
ReplyDeleteA few bottles of wine were being passed around, people were reading or reciting poetry either from memory or print.
One friend, very dear, has dissapeared from any place I could look. She doesn't have a Facebook with her maiden name at least. I am here, she was a thousand .miles away the last I knew.
Again, this was sooo good!!!
..
Floor-sitting is easier when young!
DeleteReally lovely nostalgia here. I can feel the sense of connection. I'm so glad you have continued to maintain that the wonderful poet you are is the thing to be.
ReplyDeleteApart from any other considerations, life would be so much duller otherwise.
DeleteThis is incredibly moving, Rosemary!💝 I believe poetry becomes a part of us the more we write and the more time passes. There is a special connection that is developed through the poems that we share with others.. one that continues throughout our life 💝
ReplyDeleteI agree with those observations about our poetry and our connections, Sanaa. You being one of those connections for me! And I'm glad the piece moved you.
DeleteAren’t we the fortunate ones?? Poets and poetry woven into the fabric of our lives.
ReplyDeleteYes, it is a great blessing.
DeleteThis beautiful, watching how poetry has permeated all your lives. I'm honoured to be reading your, Rosemary. :)
ReplyDeleteYes, it's interesting to take a moment to look back and see that.
DeleteA nostalgic reverie, entertaining to read!
ReplyDeleteGlad you enjoyed it, Bev.
DeleteI loved seeing your path in poetry and the friendships that it has helped form for you--these connections are so important as we go down this path--
ReplyDeleteYes, they have so enriched my life – as have my online poetic connections.
Deletei love this! nothing feels accomplished than reminiscing about friends and where they are now. great write!
ReplyDeleteThank you, glad you enjoyed it.
DeleteI am so fascinated with the technology that allows us to meet and read now in addition to our blogging. Las Thursday, i attended my first Zoom room poetry meeting, amazing
ReplyDeleteHave a nice week. Rosemary
Much💚lovd
Yes, I have now attended some poetry readings by Zoom, and have conducted some writing workshops via JitsiMeet – things I had not heard of until recently. If we have to have a pandemic, it's good that we're having it in the age of technology.
DeleteYou have a nice week too, Gillena.
What else could I be in these days of pandemic, but a poet. It frees so much of my pain through words. I can be frank or slip into fantasy to cope with it all. Beautiful poem
ReplyDeleteIndeed, I have so often wondered how people cope with crisis if they're not poets.
DeleteI enjoyed reading this, Rosemary.
ReplyDelete*Smile*. Thank you.
DeleteHow beautiful, Rosemary! This is such a sweet recollection and introspection of a life as a poet. :-)
ReplyDeleteAnd life as a poet is ultimately the sweetest!
DeleteI think back on my youthful dreams, how I was going to take on the world. The world took me and power-slammed me, but I'm still writing! Where do the years go?
ReplyDeleteWhere indeed? But writing gives us a way to take on the world after all.
Delete