27.10.24
11.10.24
Bittersweet October
Because we have turn-about sun and rain
in a world where weather has gone mad
tumbling over each other too quickly,
the abundant growth of Spring exaggerated,
everything flourishing faster than ever
richly adorning the whole landscape,
surrounding us wherever we look
with burgeoning leaves and flowers,
every hot day and every wet one
enticing our senses, even as
the swift changes set us reeling …
Our reactions too are rapidly
changing – one day we think,
This is Summer, ahead of time,
only to wake to a sudden return,
bewildering in its rapidity, to Winter.
Even as we rejoice, we begin to expect,
reliably unreliable, constant overturning.
October in the Southern Hemisphere is officially in the middle of Spring.
Written for Magaly's prompt for Friday Writings #148: Bittersweet October, at Poets and Storytellers United.
5.10.24
Hospital Haiku, part 2
home from hospital …
my phone starts recognising
my face again
27/9/24
not a lap cat
but after my absence
lingers there
28/9/24
four days home
I manage to shower
at last
29/9/24
convalescence –
lost in the limbo
of all this rest
*
all my life
the same navel –
now scar-changed
1/10/24
Hospital Haiku, part 1
suddenly
from my hospital bed
bright moon
*
post-op
every fart
a triumph
23/9/24
bedpan –
dignity replaced
by laughter
*
anaesthetists
handsome tall dark slim –
bonus
*
‘don’t get cranky with us’
nurse at end of night shift –
crankily
apologised later –
double shift while others
strike for higher pay
24/9/24
ultrasound
machine woofs like a dog –
can it smell fear?
*
both arms bruised
(blood tests and cannulas)
I file my nails
25/9/24
bowel movement …
I decide I’ve written enough
excretory haiku
*
why can’t I sleep?
I don’t tell the nurse my grief
friends recently lost
*
scant sleep
but I see dawn again
through the ward window
*
waiting, waiting –
no-one tells me when
I might go home
26/9/24
4.10.24
For David, on His Birthday
How is it that you are 57?
I remember your birth:
panting for breath on the hospital bed,
the nurses chiding me for swearing
at pain like nothing I’d known.
Then, at the end, I thought
I’d split in half from sternum to crotch.
I didn’t care, so long as you got born.
I wanted you in the world!
After you were born, groggy
in my unaccustomed arms,
you were very gentle
for one who had caused so much pain
struggling to break free into the world.
You slept on my breast.
I was afraid I might drop you,
and handed you back to the nurses.
When I took you home,
I saw you push your tiny arms
out of the blanket I’d been told
to swaddle you in, and wave them
softly in the air, gazing up at them
in wonder – I recognised
the little, fluttery movements I’d felt
when I was carrying you in my womb.
As an infant you were full of
delight in the world, and you
loved me dearly, crooning to yourself
as you toddled round the house,
'Mummy, Mummy, Mummy,
I love you. You my good girl.'
As a schoolboy, you revealed a dry wit.
Something in you was always wise
and knowledgeable – your father and I
both used to ask your advice
as if you were an adult, and you gave it
thoughtfully and well.
We like to have deep, revealing talks,
you and I, when we get together –
not all the time, but at least
once per visit. As a man,
you have weathered problems and sorrows
without losing your fairness of mind
and your loving nature.
You look after me now, in what ways you can.
All in all, you have been and are
one of my greatest blessings.
I still want you in the world.
An exercise in Natalie Goldberg's book, The True Secret of Writing, asks one to list occasions one might write a poem for, then write it in the style of Wang Wei, a Chinese poet of the Tang dynasty – i.e. truthfully and in 'unfancy' language.
3.10.24
Blazon for Poppi:
my cat Poppi who is as wise as night-time
and as sensible as the day;
who mothers me as I mother her;
my cat Poppi who is small and sleek,
not black though she looks black,
but sable, red-brown in the light;
who loves warmth and lies by the heater
or tucks herself under blankets;
whose little face is the sweetest;
who loves to cuddle, purring;
who, being profoundly deaf,
has mastered body language
and an expressive miaow;
who likes to rest on her pillow
on my bed, to be near me;
who is nocturnal and spends her nights
up on the window-sill, gazing out at the street
or in daytime peers through the big glass door
at nothing I can see, but she is fascinated;
who is Burmese and likes to be up high,
leaping with agility, despite her old age; Poppi who
is the perfect cat for me at this late time of my life.