We who with songs beguile your pilgrimage / And swear that Beauty lives though lilies die, / We Poets of the proud old lineage / Who sing to find your hearts, we know not why ... (James Elroy Flecker)

17.12.25

Light Dims on Bondi Beach

 

Rifle shots darken 

day, mood, life force.


Killing Jews in Australia

doesn’t save Palestinians 

suffering in Gaza. Just as

slaughtering people in Gaza

has not stopped terrorists.


What, then? Hibernate? Enter 

the darkness? Escape 

under that blanket, despair?


Or light our candles

for all?



Written for Quadrille #238 at dVerse: 44 words including ‘hibernate’.


People have been lighting candles for those  killed in the recent Bondi Beach attack on civilians celebrating Hanukkah. Others are asking why we don't do that for the victims of the genocide in Gaza.



12.12.25

Between


In this liminal space we call old age, simultaneously becoming and un-becoming, growing more and more into my self and out of my life, I go over and over the joys and sorrows that add up to this fine experience of living: at once uniquely personal and utterly universal.


In this limited space where I live and die at once – reminding myself we are all doing that, every moment since our birth, though we only become aware of it later (if we do become aware) – between these parentheses, I begin to awaken. Even as the ‘long sleep’ looms.


Who is the weaver? On whose loom stretches my life? 


Someone in a Netflix movie sings, chirpily, ‘What a difference a day makes…’ and I am taken right back to being seventeen, slow dancing with the lights turned low, among other couples at the end of a student party, while on the record player some singer with a sleepy voice, some singer who sounded like Nat King Cole, crooned the words, the soft, electrifying words, as we stood and swayed on the spot together in the crowded room, each entwined pair alone in a circle of two. 


A small, inconsequential memory. Nothing of any great importance in my life happened to me that evening. No coupling up with any of the dancing strangers. It was just a place and time where I happened to be, briefly. Not my scene. Yet a flash of music, so momentary, so differently sung, revives it from some old corner of memory, with all the sexual longing which the room was full of that night as the other young bodies around me danced slower and slower, closer and closer, into full embrace, and the music sighed and stopped.


The many tiny moments of my life return to me so, at random, in between the goings-about of my here-and-now. Even the most insignificant now feel precious. This is a thing that happened. This is a thing I witnessed. This is a thing I did. They matter to me, my small and personal days, my unimportant nights. I lived them. They happened to me, each one unique, and will not happen again. 


Always / never … now / never again.



Note:  After Google insists Nat King Cole never sang it, and I hunt through YouTube for all the male singers who did, it has to have been Frank Sinatra – that exact inflection and tempo – though I  remember it as being sung much softer. Perhaps the record player too was turned down low.


Written for Poets and Storytellers United's Friday Writings #207: In Between.



5.12.25

Everybody Scream!


One of the greats 

is the witch dance – 

a form of sympathy magic

blending perfume and milk

in strange combinations.


We buckle the kraken

according to the old religion,

and later drink deep

as music by men 

gets louder and louder.


‘You can have it all!’

they shout in chorus.

I almost believe them.

For one night of wild magic,

could I have it all ... and love?













I'm sharing this (sort of) found poem with Poets and Storytellers United, for FridayWritings #206, where we are invited to find inspiration in the titles of Florence + The Machine’s latest album, Everybody Scream: 

1. “Everybody Scream”
2. “One of the Greats”
3. “Witch Dance”
4. “Sympathy Magic”
5. “Perfume and Milk”
6. “Buckle”
7. “Kraken”
8. “The Old Religion”
9. “Drink Deep”
10. “Music by Men”
11. “You Can Have It All”
12. “And Love”

Nobody said it had to make sense! (But I hope I've made it seem to.)


2.12.25

Everything / Nothing


‘Write your happiest moment,’ 

the teacher instructs. I fly – 

not to the birth of either child, nor

wedding their father, not graduation,

not even breathing freedom 

after two huge years 

of Wicked Stepmother – 

but standing in your arms

briefly … everything 

winding down to zero.



Written in response to Quadrille  #237: Zero at dVerse.

(A poem of exactly 44 words, including the word zero.)

And also in response to an exercise in writing teacher Natalie Goldberg's book for memoir writers: Old Friend from Far Away.



28.11.25

A Case of Nirvana


‘A case of nirvana,’ she says –

and I imagine it packed in a suitcase,

a certain portion of it, to take as luggage 

everywhere I go … 


small pieces of nirvana

might be broken off for snacks

to sustain me while travelling, or

in liquid form it could quench my thirst

more than water (do we not all

thirst for nirvana?).


When arriving somewhere 

for an overnight stay on my way,

I might open my case and remove

a silken cloak of nirvana 

to wrap around my shoulders: 

light, yet warmly comforting.


What if I were to put the case down

and forget to take it up again?

I might spend forever after

searching for lost nirvana. Or perhaps

as in a spy movie, someone 

would deftly swap cases with me.


What would I get in exchange 

for my case of nirvana? And to what

secret vault would it go – hidden forever, 

or used to change the world?



The title is stolen from Rajani Radhakrishnan's poem A case of nirvana under a Ficus Mysorensis which is far more brilliant, beautiful and profound than this, and which I love in many ways. While I couldn't resist going off on this silly little tangent, and also must ethically acknowledge my source, I certainly don't wish to detract from the message of that source. Therefore you should please regard them as entirely separate, not to be compared in any way – and also go and absorb Rajani's wise and wonderful writing. (PS  She has seen this and enjoyed it.)


Sharing this with Poets and Storytellers United at Friday Writings #205.




24.11.25

November Tanka: Place and Time

 

piles of paper

overflow from my desk

to my table –

as if I could feast on

the written word (I can)


20/11/25



memory

wanders on the outskirts

of town

along the river bank

of my childhood


21/11/25



dark moon

in the month and sign

of my birth –

not surprising I’m loath

to tidy my house


21/11/25



good intuition

he says when I (next door) guess 

he was painting –

no, art gives a certain

quality to the silence


21/11/25



‘poor little girl’

I think, of my friend  

who died young —

a woman strong and free   

but I know her childhood 


23/11/25



the hot is here

I put on my sarong

tie it firm —

thin cotton towel I bought 

long ago in India 


24/11/25



20.11.25

November Tanka: Friends


long married

just turned eighty-seven

she ‘never

wanted another fella’ –

some fairy-tales come true


14/11/25



oh no! 

her new photo tells me

she’s old – 

so much younger than me

I know, how can this be?


19/11/25



next door

is quiet today –

the artist

I think must be working

deeply absorbed (like me)


20/11/25




unlike

in religion, politics,

lifestyle 

yet we are old friends –

we see each other’s hearts


21/11/25



Note: I'm referring to four different friends of mine who happened to come into my consciousness at this time. Some readers, here and elsewhere, have been a bit confused about that.


Sharing this with Poets United for Friday Writings #204 , where the optional prompt is to take inspiration from the quote,  The most expensive garment you’ll ever own is your own flesh.’ But I didn't have time to write something new for that theme today. Instead, here I am looking out at other people.