We who with songs beguile your pilgrimage / And swear that Beauty lives though lilies die, / We Poets of the proud old lineage / Who sing to find your hearts, we know not why ... (James Elroy Flecker)

25.6.24

The Cage [Revision]


As I grow

the cage of time

shrinks. My years 

expand, filling it. 

More and more 

the walls close in.


The only window 

obscured by a blind,

my little view

is dim, shadowy,

larger vistas

unknown.


In youth, breathing deep

I spread like the branches 

of a cedar, yet 

with room to spare –

unaware then 

of restraining walls.


Present reality 

pierces: 

a sword.

Almost

I impale myself …

but, pausing


I glimpse

from the corner of my eye

a jester playing a flute.

His song hints 

that time 

might be fluid.


What if the walls 

are frail, soft

not fixed – if

stepping through 

I find that time 

is an ocean?



[Revised 11 June 2024.  Earlier draft posted 1 April 2024.]

22.6.24

Soon there will be no more

 

talks with Amanda
coffee with Angela

each leaving
this expensive
flood-prone town.

Love and friendship
are lasting but

their smiles
voices…  

 

 

20.6.24

What is the light


to turn towards 

to follow?


that which rises 

inside you:


beacon signpost

illumination


bright sparkling

excitement


fireworks

heat source


enlightenment

joy 



Helpless?

 

our world

more and more 

authoritarian


we look away


yet a man creates 

a new kind of school 

based in democracy


a woman writer advises

keep responding to light



Sharing this with Friday Writings #137: "begin by doing small things" at Poets and Storytellers United. This wasn't written for that  prompt, but seems to fit.



13.6.24

Connection


Oh, the lust I had 

for that man of magic!

He was drawn to me too.


Power and Karma fused.

But the rite disappointed ...

and we lived far apart.


Email, MySpace, facebook.

Years of friendship growing

to include our life partners.


Confidences shared

in deep understanding.

Workings across distance.


And, just occasionally,

an affectionate exchange

turning ever-so-slightly flirty.



For Friday Writings #131 at Poets and Storytellers United, we are invited to write about re-purposing something – or someone. So I couldn't help thinking of this particular magical collaborator, a one-time lover who became, by mutual choice, a longstanding friend instead. We were undoubtedly bonded by a powerful karmic tie; it seems we initially mistook the nature of the attraction. Or perhaps – as my time in his country was short, but our connection both fated and necessary – our guides made sure it would be almost impossible for us to resist interacting!





6.6.24

Evaluation

'How many carats should I weigh this love?'


This love

can’t walk on water

won’t fit your finger

doesn’t melt pain

 

promises nothing

rescues no-one.

 

This love

sees with the heart

walks through walls

gives the invisible

 

a dream that grows

real roses.



From my recent chapbook, Letters to a Dead Man,* released 

2023. (This piece first written 1982.)  


For Friday Writings #130 at Poets and Storytellers United, 

Magaly invites us to be inspired by a quotation from a book 

we've just read. I just read the delightful The Lost Bookshop 

by EvieWoods, in which one character tells another that a 

certain inscription in French 'means that one sees clearly only 

with the heart.' He then notes that it is a quotation from 

Antoine de Saint-Exupery – which is where I first came across 

it, in the book The Little Prince, translated as: 'It is only with 

the heart that one can see rightly; what is essential is invisible 

to the eye' (the original source of my allusion in this poem – 

which, obviously, was not written for the present prompt, but 

fits it serendipitously). 





*Letters to a Dead Man is obtainable via my website 

www.nissen-wade.com